Electric Mid&Hi Fired Ceramics
Potters & Sculptors - Making Rock from Mud
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Sonu Anand
- Male
- Chandigarh
- India
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Sonu Anand's Page
Profile Information
- What is your experience with ceramics in general. (Long answer encouraged)
- When it comes to ceramics, my experience is vast and varied. From the delicate artistry of hand-thrown pottery to the precision of industrial ceramics used in engineering applications, I’ve explored the entire spectrum. I’ve witnessed the transformation of raw clay into functional and beautiful objects, whether it’s a finely glazed teapot or a sturdy ceramic insulator. The alchemy of kilns, glazes, and firing temperatures has always fascinated me. And let’s not forget the joy of creating something unique on the potter’s wheel—the tactile connection between hands and clay, shaping form from formlessness. So, ceramics? It’s not just a material; it’s a journey of creativity, science, and craftsmanship.
- What is your current involvement with electric fired ceramics? (long answer encouraged)
- My current involvement with electric-fired ceramics is multifaceted. I find myself immersed in both the practical and artistic aspects of this fascinating medium. In the studio, I experiment with various clay bodies and glazes, taking advantage of electric kilns’ precise temperature control. Whether I’m throwing on the wheel or hand-building, the tactile experience of shaping clay captivates me. Functional pieces—mugs, bowls, plates—blend form and function, enhancing daily life with handmade beauty. The initial bisque firing transforms raw clay into a durable, porous state, ready for glazing. Speaking of glazes, I dip, brush, or spray them onto bisque ware, envisioning the outcome. Community connection, education, and exploring digital kiln controllers round out my electric-fired ceramic journey. It’s a dance between kiln elements, clay, and creativity—a dance I’m grateful to be part of.
- All our content is viewable by the public. Why do you want to be a member, when you can already see everything as a non-member?
- As a non-member, I appreciate the openness of your platform, where all content is accessible to the public. However, my desire to become a member goes beyond mere visibility. Membership signifies active participation, engagement, and a sense of belonging. Here’s why I seek membership:
Community Interaction: Being a member allows me to engage with fellow enthusiasts, share insights, and participate in discussions. It’s about connecting with like-minded individuals who share a passion for ceramics, exchanging ideas, and learning from each other.
Access to Exclusive Content: While public content is valuable, membership often grants access to additional resources. Perhaps there are in-depth articles, tutorials, or behind-the-scenes glimpses that non-members don’t have. I want to explore those hidden gems.
Supporting the Community: Membership fees often contribute to maintaining and improving the platform. By becoming a member, I actively support the community’s growth, ensuring its sustainability for future ceramic enthusiasts.
Personalization: As a member, I might receive tailored newsletters, event invitations, or early access to new features. It’s about being part of a dynamic ecosystem rather than a passive observer.
Identity and Recognition: Membership carries a sense of identity. It says, “I belong here.” Whether it’s a virtual badge or a physical membership card, it symbolizes commitment and affiliation.
- Where do you work on your ceramics projects?
- School or college, home studio
- Do you have your own, or participate in other ceramics Websites:
- http://indiksale.com
- How did you find this network?
- search engine
Videos
Use These Links to Support Us
Low cost flat lapping disc can be used on you potters wheel if you, drill bat pin holes in it, and provide a trickle of water to cool it. At amazon.com, 120 grit for aggressive material removal. Click the image to purchase
Members have had great things to say about John Britt's new book, Mid-Range Glazes. Click the image to buy from Amazon.com
Purchase Glazes Cone 6 by Michael Bailey, The Potters Book of Glaze Recipes by Emmanuel Cooper, or Making Marks by Robin Hopper, all available at amazon.com. Mastering Cone 6 Glazes by John Hesselberth & Ron Roy is now out of print.
Harbor Freight is a great place to find unbeatable prices for better HVLP spray guns with stainless steel parts and serviceable economy models, as well as detail guns, all tested by our members for spraying glazes, as well as compressors to power the guns. As yet no one has tested and commented on the remarkably inexpensive air brushes at harbor freight.
The critter siphon gun is a spray alternative that is well liked by some of our members, and is available at amazon.
Amazon is also a competitive source for photo light tents for shooting professional quality pictures of your work. They also have the EZ Cube brand favored by several of our members. You might also want to purchase the book Photographing Arts, Crafts and Collectibles . . .
If you are up to creating videos of your work or techniques you might want to invest in a flip video camera
Following are a few scales useful for potters. Ohaus Triple Pro Mechanical Triple Beam Balance, 2610g x 0.1g, with Tare $169.00
And finally a low cost clone of the OHaus. The Adam Equipment TBB2610T Triple Beam Mechanical Balance With Tare Beam $99.62
ebay is a great alternative for many tools and the equipment used in the ceramics studio - kilns, wheels, extruders, slab rollers are often listed there both new and used.
Tips for Members
If you just want to spout off, it is best accomplished as a blog posting. If you want to get more guidance and ideas from other members, ask a question as a new discussion topic. In the upper right corner of the lists for both types of posting, you will find an "+Add " button. Clicking it will open an editor where you create your posting. 4/16/2014
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