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Comment by Lina Seidman on December 3, 2012 at 7:48am

Thanks fortheinformation. I will run some tests in the new year.  Right now I am swamped with Xmas.

Comment by Kathy Ransom on December 3, 2012 at 6:50am

I'm not sure about the lightening but I've gotten a really pretty celadon with the addition of cobalt or copper or a combination of the two.  I rarely use a pure white but prefer the warmth I get in my glazes with a buff clay.

Comment by Lina Seidman on December 2, 2012 at 3:52pm

Yes, I like the simplicity of ingredients.  However, I tested it on mid range English Grolleg as a transparent and it came out not clear but dirty brown yellow transparent. I read somewhere that to use a small amount of cobalt to lighten it .But does that make sense?

Comment by Kathy Ransom on December 2, 2012 at 8:52am

It is Ravenscrag slip which is a terrific cone 10 glaze and with 20% frit is is also a terrific clear (slightly milky) cone 6 glaze.  I find the color response isn't as good as some but you can get great colors with strong oxides such as cobalt & copper.  It is really stable on the mid fire stoneware I use, M340.  I think it's a good material for people just starting into their own glazes because you only need a few materials to get a palette of glazes.  

Comment by Lina Seidman on December 1, 2012 at 12:05pm

Is this made with Ravenscrag or Alberta Slip

Comment by Jan Wallace on March 8, 2012 at 6:13pm

Thanks Kathy. I will have a look.

Comment by Kathy Ransom on March 8, 2012 at 6:47am

The glaze is made with Ravenscrag slip and I don't remember the name given to it by Plainsman but I've been calling it Raven's Lime.  I added it to Insight Live a couple of days ago so you should be able to search it there.

Comment by Jan Wallace on March 7, 2012 at 8:05am

Very interesting glaze Kathy. What is it please?

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