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Comment by Daniel Ramos speak-spanish. on May 31, 2015 at 9:36am

Another idea to achieve the same effects seen on Ron Mello's vases, is trying an red iron red glaze perhaps the Recipe #451 from the Cooper book, or an an iron oxide engobe, with the # 200 or # 247 layered over it. Perhaps adding an extra opacifying in the covering glaze (to make it dryer or more mature ?)

Otra idea para lograr el efecto de las botellas de Ron Mello , es intentar poner el esmalte rojo de hierro  quizá el #451 o un engobe de hierro directo abajo    , y arriba poner el #200 o el #247 , quizá añadirle un opacificante extra y que el esmalte de arriba sea seco o poco maduro ,  cosa de  probarle 

Comment by Daniel Ramos speak-spanish. on May 31, 2015 at 8:40am

I'd like to figure out how Rom Mello applied this glaze from the Cooper book.

This really cool, I wonder how it was done?

El link te va mandar a una página de Facebook , pero en la barra de archivos del grupo se puede descargar el libro de Cooper en español , , en cuanto a el barniz que aplica el ceramista Ron Mello es este ,me gustaría aplicarlo , esta muy padre , me gustaría saber como se logró .

Comment by Daniel Ramos speak-spanish. on May 31, 2015 at 8:25am

Cone 7

Comment by Daniel Ramos speak-spanish. on May 31, 2015 at 8:23am

Comment by Daniel Ramos speak-spanish. on May 31, 2015 at 8:21am

Hello Norm Stuart, I also think the three color green, beige and red glaze is one glaze applied over another - a variation from the Emmanuel Cooper book, Recipe #200 on page 102.

Half of the Line-Blend tile has a white glaze which becomes more red.

A new test occurs to me, using the reverse, ir a white tin glaze with the glaze from Cooper Recipe #200 glaze layered over it.

I've seen a few pieces where the potter Ron Mello has used used two color glazes very effectively.

This is the link to the Cooper glazes in PDF format.

PDF file - Emmanuel Cooper Glaze Recipes in Spanish

Taken from this Facebook webpage.

http://www.facebook.com/groups/225665340931510/331596543671722/

I'd like try to find or develop the recipe, which I'll try firing in reduction in a gas kiln.

#200 Transparent Semi-Gloss Glaze  (Barnice Transparente Semipétreo)

60 Nepheline Syenite - (Sienita Nefelina)

10 Ferro Frit 3134 - (Frita de Bórax Standard Ferro 3134)

25 Calcium Carbonate - (Blanco de España)

5 Ball Clay - (Arcilla del Bollas)

Variation - Fires to a mottled green in oxidation and a mottled red-green in reduction.

1.5% Copper Oxide

Hola Norm Stuart, yo igual pienso que tu, Tres Colores verde, beige y rojo es superposición de esmalte, la ficha # 200-V corresponde ala Variación del libro de Cooper, La Mitad de la pastilla de prueba Tiene Un esmalte Blanco Que dio ONU rojo, se me ocurre en Una Nueva prueba · intentar al al revés, es Decir el esmalte Blanco con estaño abajo y el esmalte # 200- V superpuesto arriba. He visto Que El ceramista Ron Mello, Tiene Unas Aplicaciones de esmalte de dos colores muy bien logradas, está aquí el enlace de Cooper https://www.facebook.com/groups/225665340931510/331596543671722/, me gustaria Que intentaremos Encontrar o desarrollar La Receta, yo intentare encontrarla en horno de gas y Reducción   

Comment by Norm Stuart on May 30, 2015 at 11:16am

Please post the recipe, and I'll try it.

Por favor escribe la receta aqui, y lo intentaré.

Comment by Daniel Ramos speak-spanish. on May 30, 2015 at 8:07am

Hay un esmalte de Cooper que da beige , verde y rojo , es el #200 variación , anexo foto después

Comment by Norm Stuart on May 18, 2015 at 10:17am

I suspect this is one glaze layered over another.

.

Yo sospecho que esto es un esmalte en capas sobre otro.

Comment by Daniel Ramos speak-spanish. on May 17, 2015 at 6:55pm

Recipe Please .?

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