white raku clay - clear satin matt glaze over copper oxide stain. regrettably it cracked in several places due to attempted change in forming method.

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Comment by Carl Ray Crutchfield on April 17, 2015 at 11:26am

thanks for the encouragement, George, I appreciate it.  I use standard 240 for thrown work and was using it also for hand building, but wanted a white clay with a bit more body and good drying tendencies.  I tried standard 420, but did not like the course grog it contained. Standard 239 was recommended to me and I like the feel of the clay when building, have not had any problems in the drying or firing process until this piece and I liked the results with the glazes I use for the 240. I work out of a local working studio where I pay a monthly fee that includes 24/7 access, aprox 30 studio glazes and firing to cone 6. For the clays that the studio stocks the raku seems to be a good fit for what I do.  I am planning on trying a box of 553 which is not really a white clay, but someone else in the studio uses it and though I should give it a try. Thanks for the interest.  

Comment by George Lewter on April 17, 2015 at 9:32am

So Carl, You've been using a raku clay for your sculptural work for some time now. Why are you using raku clay? Is it a commercially available clay, and if so, which one? And finally, are you firing to cone 6? 

Once again, I really admire how much your work has evolved over the past several years. Keep em coming!

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