Potters & Sculptors - Making Rock from Mud
Achieving atmospheric glaze effects in electric kilns at mid-fire temperatures, through the layering of sprayed glazes. The starting point recipes are given in two discussions "Strontium Crystal Magic . . ." and "The Companion Glazes"
Latest Activity: on Thursday
I sent an email out to all group members. I should have just started this thread.I am using Laguna 607 cone 6 stoneware.I am getting pinholes and craters on about 1/3 to 1/2 of my pieces.I contacted Stephen Hill via email to ask him about this. He suggested that I just switch to porcelain as it is the gasses from the impure elements in stoneware body.I have adjusted my bisque schedule to slow down to 100'/hr between 1100' and 1700' ( the temp range where those organic gasses burn off). I am…Continue
This has been created to carry over the conversation that we were having on the discussion comments instead of in a topic. I have copied and pasted the discussion that I created in order of start to current. Please lets move all topics here as it would better be searchable in the future. Comment by Joseph Fireborn I have a question about SH's pots. I have tried using SCM, I get some really nice results, but the glaze surface…Continue
Numerous members have used SCM and Jen's Juicy Fruit with excellent results. I believe the crystals being objected to are some kind of crystal that is growing in the melt upon cooling, not unmelted strontium poking out of the matrix. The crystals have sharp diamond reflective points which would not be present if they had been even slightly attacked by the glaze fluxes, of which there are plenty, evidenced by the fact that the glaze is very prone to running.My understanding is that …Continue
These are the glazes that Steven introduced us to for creating the layered effects for which he is renown. This is the place to post modifications for these glazes, and other glazes that you have found to work well with SCM and SCM for orange.…Continue